Joburg street art and the Rasty factor

Sunday morning in Maboneng – Joburg’s hipster haven on the east side of the city. Urban regeneration comes in the form of a peanut, banana, date and soya milk smoothie. Maboneng has arrived. What could have been a fantasy is now a high-priced and much in demand reality.

And outside Uncle Merv’s shake shack our little crew is getting bigger. It could be the start of a joke… One editor, one photographer, one blogger and two tour guides meet over a smoothie to wait for Rasty…

Rasty with his work. Photo by Wesley Poon for Sunday Times


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Hermann Niebuhr’s City Chromatic, views of Johannesburg, opens at Everard Read

Artist Hermann Niebuhr’s Johannesburg is many cities. All of them familiar, but each distinctive in its difference.
At his Fordsburg studio, the more than 30 versions hang in one room, a dizzying display of colour and light. There are cityscapes, and the traces of cityscapes, geometric lines that compose Johannesburg’s most famous landmarks and that, on closer inspection, fracture and break apart. In each the sky and city are entangled, the light washing over the buildings warming the city or darkening it, making it appear in turns welcoming, and then coldly foreboding, making it appear real.
For Johannesburg is in some ways an unknowable city, a city of concealment, and of surprises, where hipsters rub shoulders with church prophets and you can find a sheep’s head as easily as you can a pair of Italian brogues. Surfaces are only to be taken for the whole at your own peril.

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Troyeville’s never-ending bedtime story. Perfect for Valentine’s Day

Like all true love stories this one has moments of exhilaration, and of defeat. In pursuit of a romantic ideal one must be prepared as much for pure joy as for its opposite.

Along Bezuidenhout street, where it meets Viljoen in the park below Troyeville ridge is a bed. Its plush studded headboard is the stuff that Joburg migrant dreams are made of, Beares catalogues and lay-byes. Its pillows have the texture of velvet and on it lays a duvet, creased as if the bed’s occupants had just arisen from their slumber.
The bed is inviting.

On the morning I visit two birds are using the folds of the duvet as a birdbath. The park is green, the bed resting in peaceful shade.
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Split facades: photographing Joburg’s inner city

Too many stories – so little time. But couldn’t leave out that on Thursday night I was at the opening of Split Facades at Goethe on Main, a debut photographic exhibition by Kutlwano Moagi, curated by a friend Thato Mogotsi. Having read Lin Sampson’s take on art openings “The Cringe Crowd” in Sunday Times (and laughed all the way through it)  I am still trying to figure out which kind of  art-opening hanger-on I am.

Boloba Fashion Store, corner Jeppe and Von Brandis, JHB CBD by Kutlwano Moagi

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A sneak preview of Wits Art Museum

It’s taken 11 days but I am officially ready to start 2012. It’s a Joburg thing – from December to January the city’s heartbeat slows, in preparation for the crazy pace that will follow for the next 11 months. (If we are going to end the year by throwing fridges out of high-rises some contemplative time will be necessary)

This year will be no different (talking pace here). I have been hearing some interesting plans for the city, talk of a Museum of African Design, whispers about another of African Art (housing an extensive private collection) and the one I am more familiar with, the Wits Art Museum. WAM is a 10-year work in progress that once completed will not only add another notch to Braamfontein’s visitor belt it will transform the art landscape of the city.

The view from inside Wits Art Museum


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Public Art in Joburg – the West Side Story Part 1

Taking a walk in Joburg’s inner-city city may just surprise you for all the right reasons… [The brilliant photos are by Wesley Poon]

Ask anyone who lives here to describe the city of Joburg and they rarely extol its beauty. Mostly they point out it’s a city without a sea and until the Nelson Mandela Bridge it was a city without any remarkable landmarks that aren’t communication towers or apartment blocks. And those are the polite remarks.

Over the past five years, it’s a little known fact that the city has installed an impressive and growing number of public artworks – at last count at more than 50 sites. In 2006 a strategy was put in place to use public art as a way of fulfilling a range of Joburg’s developing needs. It called for a public art levy, a common global practice, that would devote up to one percent of the construction budget on major city building projects to this end. This was implemented by the Johannesburg Development Agency at a time when the city has been undergoing something of a boom, and it will continue.

The unofficial public art in the city - District 9

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Tate Modern’s Chris Dercon at Joburg Art Fair

There was something disturbing about listening to Tate Modern’s Chris Dercon at the FNB Joburg Art Fair this weekend. Dercon’s talk was titled “Audiences: How much do we really care?”. It’s a good question, and one that requires an urgent response in a world where every medium, be it visual arts or newspapers and everything in between is being challenged by an economy ruled by a surplus of information and a deficit of attention.

Tate Modern Director Chris Dercon, photo from vintageyoga.typepad.com (who clearly got it from somewhere else)

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It’s the Joburg Art Fair. Head for Sandton

It’s the Art Fair. It’s the Art Fair. I don’t usually blog pre- an event, preferring to experience it for myself before I tell anyone it’s worth doing. But the FNB Joburg Art Fair is a sure thing. Opening night (by invitation only) happens tomorrow and then from Friday morning until Sunday afternoon there’s art and more art, framed and named, performances, appearances, talks of all sorts and lots of of other things in between.

Mikhael Subotzky & Patrick Waterhouse, Blue Ponte / Red Ponte I – IX, 2011

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Willem Boshoff’s SWAT at the Goodman Gallery

The last time I wrote about artist Willem Boshoff I called him a messiannic bergie, and I meant that in the nicest possible way. Last night he was at it again, this time outside the Goodman Gallery in Parkwood, as the crowds rolled in for the opening of his latest exhibition SWAT.

SWAT, 2011 by Willem Boshoff


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Design Indaba 2011, Day 1 and a half

As is my mood I go from feeling like the poor relation to being smug about my tiny teeny carbon footprint. And when I am not feeling envious of all those who are in Cape Town for the event I start loving the idea of being at the Design Indaba Joburg simulcast – all of 10 minutes from home – at the University of Johannesburg.
Yesterday was day one of what has been billed as 72 hours of creativity. It wasn’t as much of a BIG NAME IN LIGHTS all-star line-up as I had hoped for and it was more portfolio than big ideas about design and the future but the speakers made for an interesting mix:  from American graphic designer Dana Arnett [Harley-Davidson and IBM] whose amusing video about the designer and their client – “Can you make that logo a hair bigger? … My logos are not to be read. They are to be communed with” Continue reading