Joburg’s street people

I am trying to work out the hierarchy of Joburg’s street people, prompted by my ongoing fascination with who is outside my car window. This is Joburg and the cast is carnivalesque, a constant reminder that no matter your state of privilege there is no getting away from poverty. If you have a car,  there you are cocooned in your own thoughts, listening to the radio or occupied by a cellphone call and thinking it’s a private moment when a knock on the window calls attention to a man draped in cellphone chargers, or holding a large box of fruit that you don’t eat  or wielding a soapy-filled water bottle and a squeegee and hellbent on cleaning your windscreen (in the North it’s Grayston Drive offramp, in the east it’s the corner next to Eastgate Mall) milliseconds before the traffic light changes. (In my hierarchy, the window-washers occupy the lowest rung because after having had a smash-‘n’-grab (there’s even a neat phrase for it) years ago I get panicked when someone lies across my line of sight).

Taking the Banksy view

In this city begging is an art. Continue reading

Joburg crash

#124. Watch a movie unfold. In 2004 Paul Haggis won an Oscar for the movie Crash – a film set in LA but one that I have always thought could easily have been filmed in Joburg. One of the characters in the film talks about how people encounter each other in the city: “It’s the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We’re always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.”

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