SA Fashion Week Summer 2012 opening night

Rubicon. Photo © www.planetivan.com

Boys with clutch bags, lots of fiery red chic bobs and dresses cut to way up to there with heels to match signalled the opening of SA Fashion Week – and that’s just the scene in the lobby of The Rosebank Crowne Plaza, the site of Joburg’s real fashion week. And phones, darling, lots and lots of smartphones, snapping photos, texting, tweeting, waving in the air, videoing the shows, easing social awkwardness, amusing people during the long wait for it all to start and shining out in the darkness. I tried to remember what we all did before we had them – and recalled smoking Camel filters. Still haven’t decided which would be the healthier habit. Continue reading

Hermann Niebuhr’s City Chromatic, views of Johannesburg, opens at Everard Read

Artist Hermann Niebuhr’s Johannesburg is many cities. All of them familiar, but each distinctive in its difference.
At his Fordsburg studio, the more than 30 versions hang in one room, a dizzying display of colour and light. There are cityscapes, and the traces of cityscapes, geometric lines that compose Johannesburg’s most famous landmarks and that, on closer inspection, fracture and break apart. In each the sky and city are entangled, the light washing over the buildings warming the city or darkening it, making it appear in turns welcoming, and then coldly foreboding, making it appear real.
For Johannesburg is in some ways an unknowable city, a city of concealment, and of surprises, where hipsters rub shoulders with church prophets and you can find a sheep’s head as easily as you can a pair of Italian brogues. Surfaces are only to be taken for the whole at your own peril.

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Troyeville’s never-ending bedtime story. Perfect for Valentine’s Day

Like all true love stories this one has moments of exhilaration, and of defeat. In pursuit of a romantic ideal one must be prepared as much for pure joy as for its opposite.

Along Bezuidenhout street, where it meets Viljoen in the park below Troyeville ridge is a bed. Its plush studded headboard is the stuff that Joburg migrant dreams are made of, Beares catalogues and lay-byes. Its pillows have the texture of velvet and on it lays a duvet, creased as if the bed’s occupants had just arisen from their slumber.
The bed is inviting.

On the morning I visit two birds are using the folds of the duvet as a birdbath. The park is green, the bed resting in peaceful shade.
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Material, the movie

Thursday night we headed north to that weird Montecasino (where the sky is always blue no matter when the sun sets, and those cobblestones make enemies out of great heels) for the premiere of Material, the movie that made Barry Ronge cry and that has people declaring that we finally have a local film with the potential to rival a Leon Schuster blockbuster at the box office.

I hope so.

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Split facades: photographing Joburg’s inner city

Too many stories – so little time. But couldn’t leave out that on Thursday night I was at the opening of Split Facades at Goethe on Main, a debut photographic exhibition by Kutlwano Moagi, curated by a friend Thato Mogotsi. Having read Lin Sampson’s take on art openings “The Cringe Crowd” in Sunday Times (and laughed all the way through it)  I am still trying to figure out which kind of  art-opening hanger-on I am.

Boloba Fashion Store, corner Jeppe and Von Brandis, JHB CBD by Kutlwano Moagi

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A sneak preview of Wits Art Museum

It’s taken 11 days but I am officially ready to start 2012. It’s a Joburg thing – from December to January the city’s heartbeat slows, in preparation for the crazy pace that will follow for the next 11 months. (If we are going to end the year by throwing fridges out of high-rises some contemplative time will be necessary)

This year will be no different (talking pace here). I have been hearing some interesting plans for the city, talk of a Museum of African Design, whispers about another of African Art (housing an extensive private collection) and the one I am more familiar with, the Wits Art Museum. WAM is a 10-year work in progress that once completed will not only add another notch to Braamfontein’s visitor belt it will transform the art landscape of the city.

The view from inside Wits Art Museum


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Shopping in Joburg’s inner city

“What’s your top seller?” I ask Fatima Nanabhay of the African Music Store near Diagonal Street in Joburg’s city centre. “The goat bells,” she says. At R14 a piece they fly out the shop. Cow bells are also a big hit, she tells me. As I ask the question the only thing flying past us is the traffic along the city street and the guy wheeling a trolley with blankets piled high past the doorway. For the record there’s not a goat to be seen.


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Public Art in Joburg – The west side story Part II

Taking a walk to see Joburg’s public art would be incomplete without a few stops, so here’s my favourite 4 snack stops in the city.

 

Velo, Braamfontein. photo from Yaela's Stage

1. Velo (photo from Yaela’s Stage blog)

Where: The Grove, Melle Street, Braamfontein

What it is: A gallery/coffee shop/hangout/with free wifi/fresh food/great coffee. The kind of place you can stay for an hour/or a day. Continue reading

Public Art in Joburg – the West Side Story Part 1

Taking a walk in Joburg’s inner-city city may just surprise you for all the right reasons… [The brilliant photos are by Wesley Poon]

Ask anyone who lives here to describe the city of Joburg and they rarely extol its beauty. Mostly they point out it’s a city without a sea and until the Nelson Mandela Bridge it was a city without any remarkable landmarks that aren’t communication towers or apartment blocks. And those are the polite remarks.

Over the past five years, it’s a little known fact that the city has installed an impressive and growing number of public artworks – at last count at more than 50 sites. In 2006 a strategy was put in place to use public art as a way of fulfilling a range of Joburg’s developing needs. It called for a public art levy, a common global practice, that would devote up to one percent of the construction budget on major city building projects to this end. This was implemented by the Johannesburg Development Agency at a time when the city has been undergoing something of a boom, and it will continue.

The unofficial public art in the city - District 9

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Julius Malema at the Troyeville Hotel book club

While Julius Malema was not celebrating a victory after the contentious hate speech ruling delivered yesterday we were at the Troyeville Hotel dinner and book club listening to Fiona Forde, the author of his biography, in conversation with City Press Editor Ferial Haffajee.
The event was apparently sold out in just over an hour. The room was wall to wall with journalists in whose professional lives Julius Malema occupies a special place. The man is news. He strides across the public stage as if he owns it, and has a way of making even reasonable statements sound outrageous, flanked as they usually are by the spectacle of a tenderpreneur calling for the nationalization of everyone else’s wealth.


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