Left one rainy city for another for an Easter break near that imposing mountain. Cape Town has toyed with us. One sunny day, one rainy day, one sunny day, one cold day, and so on. Saturday morning led us to Long Street in a city that really seems to work for itself. Long Street ties it all together with its appeal to the cosmo-hippie-boho-bergie-Euro set. The antiques arcade – a real find – and Clarke’s awesome bookstore with its incredible selection of local literature sit side by side with a bar carrying huge signs advertising R10 a shooter (visions are conjured, and they are nor pretty), surf shops, a German barber and my latest find, Yours Truly, home of the artistic cappuccino. Or at least home to Sakky, the guy behind the counter that ended my search for cappuccino art. Definitively.
For the past few months I have taken to photographing my daily cup. Continue reading →
#158. Go for a city walk. With the John Moffat Building at Wits University celebrating 50 years of being, today was declared a “Grand Day of [architectural] Celebrations”. So we joined the small crowd at the University for an urban walking tour taking in 40 of Joburg’s best historic buildings.
The route started at Brickfields, the social housing development that has transformed Newtown, bringing in high-volume residential accommodation that can sustain all the amenities that make city life worth living – coffee shops, a book shop, art galleries and restaurants. From there we crossed to the Market Theatre (once the Indian fruit market but that was in the the 1930s) to stand in Mary Fitzgerald Square and take in the view of Museum Africa on one side and one of the city’s hostel compounds for its mineworkers (now the Worker’s Museum) that was built in the late 1800s. Then this place was a crazy tented camp town that probably (to my mind anyway) looked and felt a lot like Deadwood Continue reading →
#143. Get some answers. On Saturday I was at Origins Museum at Wits (not a striking student to be seen) to listen to a discussion on Johannesburg/Kolkata, as part of a series of events that are linked to Words on Water, a South Africa-India Literary Festival. The discussion on Johannesburg prompted the question: Who is Johannes? Continue reading →
#112. Enjoy Patricia Driscoll’s mesmerising seascape — in a landlocked city where the beach is just a memory and the pavements are strewn with autumn leaves that crunch under your feet.
Lekki Beach, Lagos. 2009.
“I love shooting these seascapes. The twilight time between day and night and night and day is ambiguous and interesting. The pictures are very much contingent on natural conditions. For instance, it was raining hard in Lagos at Lekki beach. I took the photographs very early in the morning (around 4.30am) under an umbrella. The quality of the twilight was so soft and diffused that it gave the photo a distinct and unique feel”.
“The history of the beach has meaning for me. So much has happened on these shorelines: drowning, religious ceremonies and rituals, suicides, battles, crime, fun, romantic interludes and floods. The sea washes the evidence of human activity away. The endless cycle of the sea is repeated. And my photographs mirror these loops and repetitions.” — Patricia Driscoll.
* Driscoll’s work will be exhibited at Joburg’s chic-est contemporary art gallery, Gallery MOMO, from June 11. Gallery MOMO is at 52 7th Avenue, Parktown North. To contact the gallery call +27 11 327 3247, or e-mail firstname.lastname@example.org.